Simon Crawford Collins is one of the most experienced producers of successful television drama working in the UK.
Former Joint Managing Director of Kudos, Simon was instrumental in the company’s meteoric rise, having developed and produced its first hit show the Bafta, and multi-award winning, international series Spooks, before going on to produce the company’s next hit series Hustle and then exec produce Ashes to Ashes. During his time at Kudos as producer, Head of Drama and finally Joint Managing Director, Simon developed and oversaw over 250 hours of channel defining series. Simon first cut his teeth in the film industry as a tea-making runner/driver on Matthew Vaughan’s first feature – The Innocent Sleep. He then proceeded through location managing and line producing in both film and TV (An Ideal Husband, Spiceworld, Poirot, The Railway Children to name a few).
In November 2011, Simon decided to start his own company Slim Film + Television, to follow his passion to be more closely involved again with the development and production of ground-breaking and entertaining series – and vitally to get back to the best part of the job, namely being in a room with inspirational writers generating great ideas.
Emma is a founding member of the Slim team and has both a management and creative role. Emma sits on the board of Slim and is integral in helping to manage the company. On the project side, Emma is involved in a number of key developments and works closely on Slim’s book strategy. Emma originally trained as a lawyer and then spent six very happy years in publishing before heading off to help establish Malmaison Hotels and head up marketing, communications and crisis management throughout Europe and Middle East at Intercontinental – experiences which have prepared her perfectly for drama production. Throughout this time, she also developed her freelance writing and script reviewing skills.
Before joining Slim as Development Executive in September 2014 Victoria worked for BBC Drama Series and Serials where she both developed new projects and script edited several productions, including The Crimson Field and Mapp & Lucia. She first met Simon Crawford-Collins when script editing the final two series of Hustle for Kudos where she also worked on both series of The Hour. Her television career began with four great years in the Tiger Aspect drama department where her roles included two series as UK Coordinator on Robin Hood before being given her first Trainee Script Editor role on the show’s final series.
Prior to joining Slim, Lauren script edited the first series of Doctor Foster and over sixty episodes of EastEnders. Having started her television career in the RDF publicity team, she then worked as a script reader for various indies, before script editing on Spies of Warsaw, Coming Up 2012 and EastEnders: E20.
Isabella joined in March to script edit Around the World in Eighty Days. Prior to working at Slim, Isabella was a Development Executive at Channel 4 Drama, working across the slate and on the new writing schemes. She previously worked in the TV Drama Commissioning team at the BBC and in BBC Radio Drama.
Lincia ensures the smooth production and delivery of dramas to broadcasters and works across legal and business affairs. She began her career as a producer’s assistant and then became a TV researcher. Lincia produced and directed documentaries for the BBC, Discovery and Channel 4 and freelanced in print journalism before pursuing her passion for drama. Lincia worked as a script reader for the Film Council, Studio Canal, the BFI, The Oscar Moore Foundation, Radio 4 and Lionsgate. After producing the movie Freestyle (BBC Films/Film London), Lincia had a career break. She qualified as a teacher whilst working for the charity Learning on Screen and produced five short films before joining the Production Guild as their training manager. Lincia was a departmental coordinator on the HETV dramas Brave New World (Amblin/NBC Universal) and Black Narcissus (BBC1/Disney) prior to joining Slim.